Game Audio

After analyzing the style, I start with a stage of improvisation using guitar and voice. As I delve deeper into the style, I write down the ideas I like best on paper. Then, I transcribe these ideas into Sibelius, where I create the initial arrangements and harmonizations. Next, I set up an orchestration template in my DAW, which is Reaper, and perform all the instruments using my controller. If the music requires guitars and basses, I also record those personally.

«Horror Music»:I created a tense and dark atmosphere that reflects the constant danger and desperation in a world devastated by the plague. The music blends electronic and orchestral elements, with deep, pulsating synthesizers driving the rhythm of the chase, while distorted strings add a touch of suspense.

For the more intense scenes, I used deep percussion and fast-paced rhythms, accompanied by metallic sounds and ominous resonances, creating a sense of urgency and imminent danger. The lower tension moments include eerie ambient sounds like whistling wind, distant creature noises, and creaking sounds that suggest a nearby threat.

Regarding sound design, every movement of the zombies is accompanied by guttural growls and flesh-tearing sounds, with sound effects that vary depending on the proximity and size of the enemy, enhancing the player’s immersion. The weapon and explosion sounds are impactful and heavy, with layers of reverb that add realism and weight to the combat.